Increasing the sound of your kick drum helps define the energy of your entire recording. However, if you want to increase the overall volume of your mix, pushing up the volume fader is never the right answer. Instead, you will need to do the following.
1. Master Compression
Compression with a low ratio helps “glue” together your audio. By reducing all dynamics, you increase their volume. A master compression with a low ratio makes the equalization and other special effects much more defined in the final mix.
Limiters are designed to attenuate frequencies but at high compression levels. The fixed compression level completely allows the entire mix to hit the ceiling. As a “brickwall” the more audio is pushed against the limiter, the louder it sounds. However, dynamics are effectively reduced in exchange for loudness.
A boxy audio mix might make your music sound more “warm” rather than modern and mastered. Using equalization before or after the application of gain reducers such as compressors and limiters will help make your mix sound louder to the ears.
There are a number of advantages and disadvantages in increasing your overall mix to higher volumes. The advantage is that your recordings are as competitively loud as mainstream recordings. However, like most recordings, the loudness quashes certain dynamics from the mix, which can destroy the organic sound of the instruments.
Nowadays, modern music is anchored by a very good kick sound. The kick sound, which usually comes from the bass drum, maintains the rhythm and can actually be the soul of your entire audio mix. Here are a few techniques to help your kick drums sound wider.
1. Depends on the Genre
Knowing how to find good audio samples and construct new sounds is crucial to making a good kick sound. A kick’s sound is also dependent on the genre. For example, a kick drum in rock might not sound as wide as an electronic music kick. The kick will sound better depending on your genre.
The loudness of a sound depends on how the ears perceive it, not how the amplitude increases. Gating your reverb or kick drum sound and making it short enough can make it sound louder. A clap can be heard from far away rather than scream at the same amplitude because it is shorter.
Wise use of compression could bring out a sound’s loudness. Parallel compression actually helps your kick drums sound louder because you have one track have extreme settings in terms of compression while retaining the original sound using another file. You could also do sidechain to increase the loudness of your tracks.
The Office of National Statistics said that PPI redress going directly to households contributes greatly to the UK’s economic growth. It recently confirmed that £10 billion paid out to consumers helped increase market activities due to increasing consumer spending. The ONS also said it was evidence that PPI redress actually hampered UK consumer spending.
The ONS also said that the PPI redresses have positive effects on car spending in the previous month. They said that the amount of compensation consumers receive might not be big for a mortgage, but they are effective downpayments for new vehicles. The ONS recorded a 13.4% increase in the number of car registrations in the first and second half of 2013.
PPI is an insurance product that repays your loan in case you get sick or have an accident. However, many consumers were ineligible for the insurance or did not need it. You can click here to know more about how banks mis sell PPI.
Aside from improving economies, the Financial Conduct Authority also confirmed that the number of PPI complaints was falling very smoothly with a 15% reduction falling to 2.9 million claims from 3.5 million in the last quarter of 2012.
Anybody with a mis sold PPI could call on a PPI calculator UK claims management companies provide to help them with free legal counsel or complete the PPI claim under a no win no fee term of service.
Sampling with just a few keyboard strokes and clicks on your computer is one of the best conveniences modern technology had brought to the world of music today. Sampling good audio is very important especially for producers looking for better additions to widen the sound of the musicians they record. Sampling good audio takes more than just a good ear but also a bit of technical knowledge.
1. Imagine the Sound of the Band
If you are recording a band or a solo musician, think about how they would sound like on record. Imagine a good band or musician to use as a peg for their sound. A peg is harmless because no two albums could actually sound alike.
2. Align The Samples
From the guitar and bass sound to the drumset sound, sampling is an important technique. You will want to align your samples to your peg’s quality. It is very possible to come close to an album’s mix, but a small margin of error will always make it impossible to copy another album’s quality. Even with the same presets, you could not actually copy the sound.
3. Research on Sounds
If you do not know what an instrument sounds like, such as a conga or trombone, the Internet is a good avenue to sample the audio. Hook up to streaming websites such as Youtube or Soundcloud for samples.
Noise and artefacts present in the final output of your radio station comes from AC interference. If your equipment are not properly shielded from these frequencies, your microphones or mixer boards could pick up this signal and amplify it while you broadcast. To ensure that your studio has good output, keep in mind the following.
1. Unclean Power Sources
You wouldn’t drink dirty water would you? Dirty water is one that has undesirable fragments and substances inside of it. The same is true with electronics; if you have an unclean power source, your recordings will experience live noise, interferences, buzzes and they appear as a group. The light in your room, the computer monitor and outlets could make your power sources unclean, so be careful. Power conditioners actually allow you to improve the quality of your recording and protect your equipment too.
2. Balanced Lines
The cleanest recording you could actually get is when you used a balanced line for your microphone to your mixer board. A balanced audio connection allows you to transmit audio without any noise. The three prongs of balanced lines will “phase out” the noise by combining the positive and negative signals of the two reproduced signals it produces from your source.
3. Ferrite Chokes
If you’re having trouble with radio interference getting in your microphone, consider having ferrite chokes around the ends of your cables. Ferrite chokes keep your signal clean and eliminate radio interference.
Radio stations license music from famous artists and their record labels before earning the right to play their music. Licensing protects the artist’s work and allows them to earn royalties for every time the song is aired on the radio. Here are a few steps to help you get started on music licensing.
1. ASCAP, BMI And SESAC
These three performing rights organizations work on behalf of artists in America. Other record labels exist in every country. These organisations have representatives travelling nationwide hiring agents to target small to big businesses that play the audio in their establishments.
2. Establishments Targeted
Small time cafes, convenience stores, fitness centres, stadiums and virtually any establishment that has a radio and a public area ASCAP, BMI and SESAC will ask for royalty fees. Karaoke establishments and even live-performance cover bands need their establishments to pay the royalties.
Small businesses might need to pay for $300 for an annual licensing fee. Small business include cafes, restaurants, public diners and small retail stores. For bigger companies, such as malls and stadiums, the fee could go for $9000 yearly.
Failure to pay for the music licensing could get small and big businesses $750 to $150,000 fine per song. A lawsuit could definitely be costly if the case is more than a copyright violation.
Radio programs are very important for certain people. For long-road truck drivers, they are more than just entertainment; shows actually give them an idea about detours and potential traffic problems they could have. A good morning radio show should have the following if it wants to make it big.
1. Set Your Goals
What do you want to do on a radio show? Answering this question is vital to your show’s success. If you want to entertain people, this will reflect on how you become a radio DJ in your shows. If you want to entertain and inform people, this could help you become an established radio morning show in the metro or your radio frequencies.
2. The Segments
Shows have segments. You could start with a short introductory segment that splits with announcements and music. Your announcements could also be dialogue segments where you do comedy dialogues or other entertainment. Of course, if you want to keep a show running, you’ll need advertisements from sponsors and that also fills the gap.
Promotional materials from your shows are also important. You could give out prizes. Some bands or musicians who want to promote their music may want you to endorse them in the show and they’ll be giving free material to listeners. Promotions are a great way for your radio show’s popularity to echo to new heights.
4. Adjust According to Day Schedule
Your schedule of shows must cater to the moods of your listeners throughout the day. In the morning, if you anticipate many of your listeners are going to work, giving them updates about early rush hour traffic is essential. In the afternoons, with many in their offices tuned in, you could give them good work or non-distracting songs. You could advise about traffic again during the evening as well.
Many young professionals today are thinking of depositing their own money in investments to ensure their life plans in the future, but their hesitation comes from the fact that they need giant capital to invest in the stock market. However, it is advisable that young professionals invest when they are young for the following reasons.
1. Making Mistakes
Anybody in retirement knows that the investments they make must generate capital and they cannot make a risky mistake. For young investors, their capital can be rebuilt by their monthly income and they can be adventurous with their investment direction.
2. Bigger Gains
Because young professionals can take greater risks than their older counterparts, they can deposit their money in riskier assets, which would either bring great yield or great losses. They can attempt to diversify their portfolios, but they can also take advantage of industry gains with the risks they take.
3. Rebuilding Capital
A young professional’s income is enough to rebuild their investment capital. They learn more than their older counterparts with the risks they take. Eventually, upon retirement, they will build higher profits with their learning and risks taken. No amount of loss can be irreversible for young professionals before their retirement.
Your Internet FM station may gain many listeners because you have good social media and Internet promotion tactics, but the very reason why most listeners stick or run from an Internet radio station is their playlists. Ensure that you gain many listeners by knowing the guidelines in making an effective Internet FM playlist.
1. Be Specific
The first thing Internet audiences hate is when a website or web service is not specific about what it is supposed to do. As an FM station, you could dedicate yourself as a universal station; you cater to all genres and types of music. As a result, you will have multiple playlists dedicated for these genres.
2. Be Sure
Some Internet radio stations lose listeners because they failed to identify the right genre that fits their playlist. If a radio DJ accidentally brands one band a certain genre that is wrong, some listeners might find it annoying and the station might lose listeners. Always be sure; do your research about the musicians before you announce their genre, and include them in your playlists.
3. Be Consistent
Always find a common denominator with the artists you put in your playlist. If you’re playing rock for example, one band’s energetic sound must be the same with the next band that you’re playing. Assess these musical “energies” and ensure that the energy you hear from the music is consistent in all cases in your playlist.
Most digital radio stations make use of an automated player without any disc jockeys for listeners to listen to, but if you prefer to bring out the old fashioned radio host feel, you’ll need to know the basics of speaking and entertaining your listeners like a professional DJ. Here are a few things to remember.
A radio DJ must have charisma in his or her voice. The human ear detects energy depending on the enunciation of certain words or syllables and these enunciations should be apt to the situation. Listeners can discern if a radio DJ is “faking” the feeling or not. Whether you are not genuinely happy reading one news from another, practicing your voice’s charisma could help you gain more listeners.
If you’re playing a hip hop or electronic music radio station, be sure to act and use lingo appropriate in the musical genre and culture. The same goes for rock radio stations and jazz radio stations. A DJ belongs respectively in the industry if their listeners can empathize with them and their topic of discussion.
Any radio DJ should have professional microphones that bring out their voices clarity and definition. Sometimes, a voice’s character is amplified by professional equipment.
Speaking with style is an important asset that adds to your charisma as a professional radio DJ. You could use complicated words or sentences, you could speak as a straight-to-the-point voice, or you could use symbolisms or even mild poetry when speaking. Your style could define who you are as a DJ and could define your characteristic in the industry.